Little Richard’s Influence on Rock ‘N’ Roll History Essay

oscillate and pick off medicine emerged as a part of American teenage culture during the notably conservative clipping period in the earths history which shortly followed the traumatic events of World War II. macrocosm that the genres target audience was white teenagers, m any Americans- already overwhelmed and on-edge due to the anti-communist movement inspired by the Cold War- were apprehensive well-nigh the influence that this up-and-coming style of music might contain on their countrys future.Americas youth openly original agitate and knock overs raci completelyy integrated culture of performers and embraced the relatively lewd nature of many songs and performances associated with the genre, much to the dismay of their elders. Richard Wayne Penniman (better known by his exhibit name, Little Richard) had an important influence on the history of disceptation and roll music because of his bohemian stage presence and explicit sexuality. Artists much(prenominal) as Litt le Richard aggressively pushed the envelope, defied social norms and generated controversy.Richard, along with a a couple of(prenominal) fellow pioneers, helped to define rock and roll in its early years, and paved the agency for rock and rollers of future generations. Pennimans work left an everlasting impression on the musical genre and culture that is rock and roll. Considering the time in Americas history during which Little Richard appeared on the rock and roll scene, it is completely appropriate to attri just nowe much of his fame and influence to his unconventional stage presence.The rising popularity of tv found during the 1950s fundamentally changed the music manufacture by presenting artists with an solely sensitive way to market themselves (or be marketed). universe televised meant that the boilersuit look and presence of an artist played a more(prenominal) crucial role in stimulating audiences the focus of listeners was no monthlong solely the sound of the mus ic being produced. Prior to T. V. , music fans were whole able to enjoy the sounds of their favorite artist by way of communicate and the purchasing of records.In many typefaces, this meant that if a fan had never seen a break down performance or record-jacket photo of a particular artist, its possible that they had never seen said artist at all and sport simply a general idea (if any) of what that artist looked like. As television sets became an increasingly popular household item for middle-class American families, live performances assumed a new importance for performers of rock n roll music, and individual artists and blunt roups sought to cultivate visual characteristics or mannerisms that would set them apart from others and encourage listeners to remember them but no performer in the early years of rock n roll was as visually flamboyant as Little Richard, (Schloss, Starr, and straw hat 1-75). A fans perception of an artist or group became subject to their opinion of t he overall fig of the performance.At this point in time, listening to the music of a completely respectable, clean cut, well dressed African-American was still considered impertinent by a sizeable portion of white American fraternity- particularly those living in the South and those beyond their teenage years. Many of these mountain were hesitant to accept racial integration, and tended to proceed cautiously when (or, more appropriately, if) they chose to do so.These are the same people that were unrightfully, but understandably, so frightened by performers like Little Richard. In order to differentiate himself from other rockers of the time, Richard usually wore heavy make-up and sported his famous pompadour hair style. As a former drag queen, Richard was fully aware of the type of answer his look would draw from audiences its the reaction he hoped to receive.Though, at the time, society as a whole was unsure of how to react to the statement his public figure do, the ambig uity of Little Richards sexual identity paved the way for the image of performers such as David Bowie, Elton John, and Prince, (Schloss, Starr, and Waterman 1-75). Just in case his eccentric outward appearance was not enough to gain the censure of parents across the nation, Little Richard put on an absolutely wild stage performance which included dramatic eye rolling and his simultaneous hep gyrating and piano playing.In order to dance and play piano at the same time, Little Richard stood (not sat) in front of the instrument- yet another feature of his performance that was specific to him. Little Richard aimed to gain the attention of his fans by creating an entirely original and exciting performance act. In order to do so, Richard created an image that was totally outside of societys definition of normal, respectable, and safe. His image was only half of his act, though.Its unlikely that there were many respectable white, American parents around in the 1950s that were comfortable with the idea of Little Richard having any type of influence over the generation deemed the future of their country, much little over their specific children. If there had been anyone left straddling that fence, however, contemplating just how harmful a 24-year-old performer with a whacky haircut and face full of make up could really be, it would be safe to assume that they had never actually comprehend the man sing.The lewd, ignominious lyrics that completed Little Richards unorthodox self-presentation would have provided the final push that landed the aforementioned fence straddler on the opposer side of Richards performance, and confirmed the popular idea that rocks musical characteristics indicated a general decline in American taste, (Schloss, Starr, and Waterman 1-75). While teenagers danced to the sounds of the modified twelve-bar blues accompanying Richards shouting vocal style and countertenor whoops, parents instinctively cringed in disapproval of the blatantly conno tative lyrics.Hit songs by Little Richard such as Tutti-Frutti, (Penniman, 1955) and Long noble Sally, (Penniman, 1956) contained lyrics that were generally non-specific, but overall relatively sexual for the time. Richards scandalous appearance, behavior, and song lyrics embodied a sexual tension that managed to both captivate teenage audiences, and inspire fellow performers. It is this same sexual tension that made society at large not only generally uncomfortable, but also concerned about what other ludicrous notions rock and roll would try to impose upon American culture in the future.Little Richard employ rock and roll as a platform to rattle the cages of the music industry, and change societys concept of what was acceptable, what was normal, and most(prenominal) of all what was popular. It was Richards unique image and abrasive song content that simultaneously intrigued and ball over American society in the early 1950s. American teenagers of this time appreciated the cau sation of Little Richards performance and embraced Little Richard as the new spirit of rock and roll.Unfortunately, in 1957 Richard denounced his work and joined the churchclosing his most creative period, (Oxford University Press). Although the momentum of his influence eventually slowed, it never quite stopped. stone and roll performers such as Jerry Lee Lewis, the Beatles, and the American Creedence Clearwater Revival all provide examples of music inspired by the work of Little Richard, proving the power of his influence and solidifying the lasting impression that he left on rock and roll.